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LA VOIX HUMAINE


"Poulenc's heartbreaking opera, La Voix Humaine, with text from Jean Cocteau's play of the same name, seems to present a situation in which a woman (Elle) is having a painful and final conversation with her ex-lover, in which we only hear her words, not his. This one-sided conversation is absolutely full of contradictions, lies, fantasy and desire. What I am most interested in, is the power, control, weakness and the ever-changing equilibrium of all of these aspects of "Elle". I find myself asking if there even is an ex-lover? What and who really exists within these deep and true emotions of love, loss and loneliness?"

- Barbara Hannigan

 
“ The chameleonic, alluring, Canadian singer and conductor gave proof of her truly extraordinary skill
in a revelatory performance of La Voix Humaine “
— Seen and Heard
“ Her physical commitment is total. She plays, lives and inhabits the music as much as her role. Her body and face are remarkably adaptable and expressive. The pirouettes, pranks and emotions follow each another with fluidity. The high points are overwhelming, and at the same time, she fulfils her role as conductor with panache. ”
— Télérama
“ We know the many skills of Barbara Hannigan, a soprano with a vast and varied repertoire, with a focus mainly on music of the last century. A complete actress with a very physical stage presence, and also a conductor - and has always been so since her very remarkable debut. ”
— Resmusica
“ ...won over by the immediacy, commitment, and technical excellence of the performance. Simple, yet startlingly effective. “
— Seen and Heard
“The Canadian soprano does not act, but literally lives through Francis Poulenc’s monodrama “La voix humaine”. …a whole orchestra becomes the direct expression of the emotional world of an existentially injured woman.”
— Abendzeitung
“...from beginning to end, immerses us in ... an all-encompassing and unprecedented musical and expressive control...an utopia of voice, sound and gesture which - far from being a mere acrobatics - re-proposes and updates the ancient suggestion of the Gesamtkunstwerk as performance.”
— Classical Voice
“ Hannigan is a phenomenon of our time “
— Politiken

Performances

Barbara Hannigan, conductor & soprano
Denis Guéguin, video artist
Clemens Malinowski, live video design / technique

2021

Orchestre Philharmonique de Radio France
Danish Radio Symphony Orchestra

2022

London Symphony Orchestra
Münchner Philharmoniker
Orchestra dell’Accademia Nazionale di Santa Cecilia
Gothenburg Symphony Orchestra
LUDWIG Orchestra

2023

Musikkollegium Winterthur

Ludwigsburger Schlossfestspiele

2024

Montréal, Canada - Maison symphonique de Montréal

The result is impressive, intense and enveloping. ”
— Olryix
“Here, Hannigan turns herself into a bird, gymnast, dancer and boxer as she also organically incorporates her conducting into her choreography....an incomparable performance”

— Dagens Nyheter
“Hannigan resembles a sorceress, with curling movements of her fingers, wrists, forearms and finally her entire arms, long and sinewy, she stirs the thick, plaintive mush from voice to voice, layer upon layer.”
— Volkskrant